![]() ![]() ![]() ![]() The evolving status of Princess Mononoke by considering the fluctuating valuations of It functions as significant marker of changing attitudes towards anime in Western contexts of reception. There has been a distinct shift in the frames of reference employed by Western critics to discuss the film, and in this respect Princess Mononoke’s early reception in the West was characterizedīy a focus on the film’s provenance and attendant issues of cultural translation. In the United States signalled the moment in which many Western audiences became aware of Hayao Miyazaki’s films for The 1999 theatrical release of Princess Mononoke ![]()
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